Basically, a loudspeaker is an electroacoustic
transducer that converts an electrical audio signal into sound. It is used in a
variety of applications.
Cone
Generally speaking, cone loudspeakers have the
ability to deliver low frequencies with a high degree of effectiveness and
power. This is achieved by a cone-shaped membrane that accelerates sound by
moving air back and forth. The resulting sound waves travel to the ear.
Cone loudspeakers can
be made of a variety of materials. Most commonly, they are made from special
forms of paper. These materials contain rag fibers, waxes, and resins. The cone
can be reinforced with Kevlar or glass fibers.
Cone loudspeakers can also be made from
plastic, metal, and composite materials. These materials are relatively light
and have good damping properties. However, they degrade with time and humidity.
During the 1920s, New York inventor Clair
Loring Farrand created a model radio that featured a cone speaker. The first
commercial version of this speaker sold for $250. Today, it is used in many
home audio systems.
The main cone delivers low frequencies, while
the dome delivers the upper range. The cone is usually shaped for sturdiness.
The dome can be designed to flex for full range reproduction.
The suspension system provides restoring force
and helps keep the coil in the correct gap. Early suspensions consisted of six
or eight curved legs.
Ribbon
Unlike a moving coil speaker, a ribbon on
loudspeaker has no enclosure and sounds transparent. This makes it ideal for
open, live sound applications, and provides a big sense of air, space, and depth.
A ribbon tweeter uses a thin, aluminum strip to
move air. It is suspended in a magnetic field. This allows the tweeter to
accurately reproduce high frequency sounds. However, ribbon tweeters are not
ideal for low frequencies because the gap efficiency of the ribbon can be as
low as 3%.
Ribbons are typically expensive because they
need to be in a magnetic field. Ribbon speakers tend to be heavy and expensive,
and they can be difficult to position. In addition, the ribbon is fragile. The
ribbon can crack or break if it is under too much tension.
Ribbon drivers are an emerging type of
transducer for professional audio applications. They use a strip of material as
a diaphragm, and a voice coil that is stretched over the length of the ribbon.
This allows them to maintain a consistent tone across the range of sound
pressure levels.
Ribbon drivers have become popular in the pro
audio market because of their flat response, low distortion, and low weight
moving mass. They are also mounted in an open-air, flat panel and are capable
of producing lifelike musical timbres.
Horn
Using a horn on a loudspeaker can give a very
natural and organic representation of an acoustic event. This is similar to how
old phonographs worked. The horn is used to concentrate the flux of acoustic
power, which then radiates sound in a wide area with great directivity.
Horns have been used in a variety of
applications, from movie theatres to outdoor audio systems. Their advantages
include lower distortion, faster transient response, and greater efficiency.
They also allow for good control of wave front properties.
The most common type of driver for horn
loudspeakers is the cone. This is due to its greater coupling efficiency. In
addition, it provides more powerful low end. A cone also allows for a more
compact speaker design. However, it is less efficient than a horn.
There are other types of drivers, such as the
dome and the electrostatic drivers. The more exotic types include ribbon
drivers. They are easier to drive at high SPLs, but they have less directivity
and distortion.
A horn can also be used as a speaker coupler.
The horn acts like an impedance transformer. This allows a wave to move from a
driver to a free air space, and it reduces the nonlinear distortion produced by
a conventional driver.
Circular diaphragm
Generally speaking, a circular diaphragm of
loudspeaker is a device that produces sound by moving air. It is also called a
speaker driver. There are various types of loudspeakers, including dynamic,
planar magnetic, and electrostatic. All of these types have different
construction and directivity characteristics.
In dynamic speakers, a conical diaphragm is
used to generate sound. The cone is made from plastic or fabric, and is fixed
to the loudspeaker's metal rim. The cone is then accelerated by an amplifier.
During play, the cone vibrates a large amount, which causes the sound waves to
move into the air.
Planar magnetic speakers have a flexible
membrane that contains a voice coil. The voice coil produces a magnetic field
that moves the diaphragm. Planar speakers are sometimes called ribbon speakers,
because the conductors are printed on the flat diaphragm. They can cover a wide
range of frequencies, though their directivity is less than that of other types
of speakers.
The most common diaphragm materials are plastic
and metal. Other materials include composites and paper. The material used
depends on the frequency range of the speaker. Ideally, a material has low mass
and is well damped. The resonance frequency of the material is also important.
Sound pressure level (SPL)
Using a Sound Pressure Level (SPL) meter is a
good way to measure the level of a sound. Many SPL meters are portable, which
means you can take your measurement on the road. You can then compare your
measurement to a standard reference value.
In addition to measuring the level, an SPL
meter can also measure the amplitude and magnitude. You can even set the meter
to record your measurements over a period of time.
One of the most important applications of a SPL
meter is to measure the power of a sound. It is a good idea to check the power
of your system before you buy. If your SPL is too low, you may not be able to
handle louder sounds before they become distorted.
While you're at it, make sure you're keeping
your SPL within OSHA guidelines. This will help protect the public from hearing
damage. Using an SPL meter can help you keep your SPL under 80 db.
The OSHA guidelines allow you to hear all the
dynamic range of your music. While there are some exceptions, the rule is that
you should be able to hear a band or musician when they're playing at a volume
of 80 dB or lower.
Impedance matching between the voice and the air
Choosing a good match between the voice and the
air in loudspeakers can be a tricky process. This is because the loudspeaker
impedance changes in response to frequency. Impedance matching is one of the
most important concerns in a multiple-speaker setup. With careful attention to
the matching process, you can achieve a number of benefits, including reduced
power consumption and improved sound quality.
The impedance of the loudspeaker is rated in
Ohms. For most speakers, the nominal impedance is rated in the range of 4-8
ohms. A typical car stereo is rated at 2-16 ohms.
The output impedance of a power amplifier can
range from 70 to 140 volts. A 70-volt tap is found on audio amplifiers under
100 watts.
A matching transformer is needed to match the
impedance of the loudspeaker. The matching transformer should have an impedance
ratio of at least 5000 to 8 ohms. This ratio is a ratio of the primary to the
secondary turns. It can be a random value, or you can use a conventional
approach that involves recompiling the transformer values.
It is also
possible to find the impedance of a speaker using a microstrip on the PCB. Headphones audit
This is the same process as impedance matching but is not as robust. A better approach is to connect the loudspeakers in parallel at the output terminals of the power amplifier. This provides maximum coverage with minimum output.